When it comes to a genre of choice when perusing a bookshelf, my eye always goes straight to the crime fiction selection. I love all the different aspects this genre encompasses, from mystery to law, crime procedure to the exploration of an ‘evil’ mind. So, when my friend and fellow book worm, Bronagh, told me about Dead in Dún Laoghaire, the inaugural crime writing festival by Penguin Random House Ireland, in partnership with The Irish Times, I jumped at the chance to attend.
After a bleary-eyed early start, I caught the 7am bus from Belfast to Dublin, which also stopped in Newry, where Bronagh, my partner in crime (pun fully intended), hopped on. Once we arrived at the Busáras Bus Station in Dublin, it was a five minute walk to Connolly Train Station to catch the DART which took us the rest of the way to Dún Laoghaire. By 10am we were sipping coffees and enjoying the picturesque views this suburban seaside town has to offer (I have not been to Dún Laoghaire before but it is such a quaint town and I instantly fell in love with it).
The festival consisted of four events taking place across one day (Saturday 22 July) at the Pavilion Theatre in Dún Laoghaire. First up was a Q&A with global crime writing phenomenon Paula Hawkins, who not only discussed her massively successfully novel The Girl on the Train but also discussed her follow up, Into the Water. As well as touching on ‘second novel’ pressure, Paula, in conversation with Kathy Sheridan of The Irish Times, also discussed her career which veered from journalism to writing under a pseudonym before finding her true voice in crime fiction.
After a short break, it was time for event two: Stuart Neville aka Haylen Beck with John Banville aka Benjamin Black. I first encountered Stuart Neville’s work when I reviewed his debut novel, The Twelve, for Ulster Tatler in 2009. Whilst I have been lucky enough to attend several of Stuart’s readings over the years, in particular as he is a regular at my favourite literary spot in Belfast, No Alibis bookstore, I have not had the opportunity to see John Banville in conversation before and so it was very interesting to see these two authors sharing a stage to discuss their latest works Here and Gone (Haylen Beck) and Prague Nights (Benjamin Black). What intrigued me most was to hear how different both authors’ writing processes are. Whilst Stuart Neville spent weeks in Arizona, the setting of the new Haylen Beck book, to allow him to fully translate that experience onto the page, John Banville explains that the Prague he depicts on the page is the one he conjured up from his imagination as opposed to one he had experienced first hand.
The penultimate event featured prize-winners, bestsellers and book club favourites, Liz Nugent and Karen Perry (who, I didn’t realise, is actually two writers, novelist Karen Gillece and poet Paul Perry). As well as discussing their new works, Lying in Wait and Girl Unknown respectively, they also discussed how they deal with delving into the minds of the psychopaths that feature in their works. After several probing questions from the audience, Liz Nugent also discussed how, for her, persistence was the key when it came to getting published, whilst Karen and Paul explained the process they undertake for to write as part of a team.
The final event of the festival was international bestseller and real life forensic anthropologist, Kathy Reichs. As well as the creator of the hugely successful Temperance “Tempe” Brennan series of books, she was a producer for the TV series Bones, which was loosely based on her novels as well as her career. This really was a fascinating, and very humorous, Q&A which saw Reichs touch upon how her real life inspired her writing, how she has written books alongside her son as well as what inspired her new book, a standalone thriller, Two Nights, which features a smart, tough, talented heroine whose thirst for justice stems from her own dark past.
Dead in Dún Laoghaire was a truly remarkable festival which provided a unique and inspiring look into the writers behind some of the top offerings in the crime genre. Whilst the festival very much shone a light on the literary merits of crime writing, it also delved into a range of subjects from why established authors write under pseudonyms, how to forge a career as a writer as well as exploring how vastly different the writing process can be for each author. With the opportunity to meet the writers after each event as well as to get books signed, this was a thoroughly enjoyable and fantastically organised event and I for one hopes that the ‘Dead’ once again returns to Dún Laoghaire next year.