Since I first uncovered crime writing, I instantly fell in love with this adrenaline pumping genre; whether it is a police procedural novel, a heart stopping thriller or, dare I say it, a novel written from the perpetrator’s point of view, I will never tire of delving into the murky depths of this fascinating and hugely engrossing style of literature. Needless to say, I was thrilled when I heard about NOIRELAND, a three-day crime fiction festival which was recently held at the Europa Hotel, Belfast, to celebrate and showcase the amazing talent emerging from Ireland as well as to explore crime writing from across the world, and looking at the impact Ireland has had on the genre.
The Festival, in addition to a series of talks from authors such as Benjamin Black, Adrian McKinty, Stuart Neville, Arne Dahl and Sophie Hannah, to name but a mere few, also offered workshops for budding crime writers. Unfortunately I was unable to take advantage of the ‘Weekend Rover Pass’, which gave access to all the talks taking place over the weekend, however I was lucky enough to attend three fabulous events: Line of Duty – In the Spotlight, Robert Crais In Conversation, and Playing in the Dark – Aidan Gillen Talks Crime With Brian Gilloway.
Since series one, I have been a dedicated fan of Line of Duty. As the series has progressed and found its rhythm, it really has become addictive viewing. It is one of the few shows that incites so called ‘water cooler conversations’ in an age of streaming and boxset binging and so I was delighted to have the opportunity to listen to creator Jed Mercurio, actor Adrian Dunbar, who plays Superintendent Ted Hastings, and the show’s producer Stephen Wright, discuss its roots, the secrecy surrounding the fate of even the most regular characters, why Northern Ireland is the perfect location for filming as well as how it has become one of the greatest crime series on the small screen.
Of the three events I attended, I have to admit Robert Crais is the speaker I knew least about. However, after a talk that was humorous, insightful, inspiring and completely engaging, I have added his list of novels to my ‘need to read’ list. As well as discussing his time writing for such iconic shows as Miami Vice, Hill Street Blues and my own personal childhood favourite, Cagney & Lacey, he also discussed his transition to crime novelist and how he created the dynamic (and fabulously named) duo: Elvis Cole and Joe Pike. Summed up in a nutshell, he stated: “All writers are cannibals; they chew up their lives and use it to create their characters.” Concise, insightful and definitely my favourite line from the festival.
Aidan Gillen is a face most people will recognise, whether it is as Stuart Jones in Queer as Folk, Councilman Thomas ‘Tommy’ Carcetti in The Wire, John Boy Power in Love/Hate, Charles J Haughey in Charlie or Petyr ‘Littlefinger’ Baelish in Game of Thrones, to name a few. In discussion with Brian Gilloway, Gillen touched on how his career in acting started, how an actor demands a certain level of attention but also how his early success left him overwhelmed by the spotlight, how he has managed to carve a career playing unique and differing characters as well the differences when portraying a fictional character versus a real person. Witty, self deprecating and the face of many iconic characters in the crime genre, Gillen in conversation was definitely the perfect way to conclude a fabulous festival.
NOIRELAND was the brainchild of No Alibis’ proprietor David Torrans, and with the promise it will return, I already can’t wait to see how he could possibly top this year’s line up. However, if any one can do it, David and the NOIRELAND team can. But to keep my literary cravings satiated until then, I have just secured tickets for a fantastic No Alibis’ event, to listen to the incredible storyteller that is Joe Hill, who will be at the Ulster Museum on 10 November.
For more information, visit: http://noalibis.com