I feel very ashamed to admit I know very little of the work of Monty Python; the closest I have gotten to exploring their comedic offerings was catching ten minutes of The Life of Brian when I was a student. It therefore seemed very opportune when I got an invite to see a production of Monty Python’s Spamalot, which is being performed by the Ulster Operatic Company at the Grand Opera House until Saturday (14 October).
Adapted from the 1975 film Monty Python And The Holy Grail, Spamalot is a musical comedy which tells the story of King Arthur as he travels around the land gathering his Knights of the Round Table. This band of hapless adventurers is then tasked with a divine mission to locate the elusive Holy Grail – with uproarious consequences. On arrival, I wasn’t sure what I had let myself in for, but a few minutes into the production and after the absolute surreal rendition of ‘He’s Not Dead Yet’, I soon knew: prolonged fits of laughing which ultimately resulted in a stomach ache. It is fair to say Spamalot was bonkers from the get go, but it was the absolute best kind of bonkers; slapstick comedy, hilarious musical numbers and physical comedy all combined together to create a performance than had me grinning from ear to ear.
Superb guidance from director Neil Keery, musical director Wilson Shields and choreographer Brooke Allen was evident from start to finish; in my opinion the overall performance would not have looked out of place on the West End. The cast likewise put on exceptional performances. From the authoritative and determined King Arthur (Colin Boyd) to his ‘trusty’ Knights; Sir Robin (Brian Trainor), Sir Lancelot (Jamie Johnston), Sir Galahad (Ross David Chambers) – who looked like a medieval Thor, and Sir Bedever (Paddy McGennity), each brought a high energy and pitch perfect performance that thoroughly entertained me; there were that many stand out moments that I can’t even list them all. It is hard to think how Spamalot could be made even better, but the seemingly impossible was accomplished by the stellar performances of Jordan Walsh as Patsy and Ciara Mackey as the Lady of the Lake. From the outset Jordan had me in hysterics through his expert use of coconuts, whilst his ability to convey as much with his facial expressions as his lines was a remarkable feat. Ciara Mackey completely mesmerised me as the Lady of the Lake. Unbeknownst to me at the time of viewing, I have had the pleasure of seeing Ciara perform several times as part of the excellent Pleasuredome band, who are regulars at The Belfast Empire. I already knew she was a talent but after Spamalot my eyes have been well and truly opened; not only is she a phenomenal singer, she is also sassy, cool and has impeccable comedic timing.
Whether you are a Monty Python super fan or only being introduced to their work, Spamalot is definitely for you. This superb piece of comedy is clearly in capable and trustworthy hands with the Ulster Operatic Company. After an evening that was spent literally laughing out loud (a lot!), Spamalot has shown me what I have been missing when it comes to Monty Python. Right you book your tickets to Spamalot and I am away to check out the remaining 85 minutes of Monty Python’s Life of Brian.
Monty Python’s Spamalot by the Ulster Operatic Society runs until Saturday 14th October at the Grand Opera House. For more information: